We did this in hopes that by the time your canopy is up for production we may have the fabric, if not, we will reach out and see if you want to change some, or all of the colors so we may keep moving on. Therefore, we have gone ahead and included current unavailable colors on the 3D design program. We all know that the world is in short supply of products, and it is no different for canopy fabric. Why or how you may ask? Well, last year we doubled the production line for the TX2’s and we hope to do it again this year. With that being said, we expect our 2022 average lead time to be as low as 16 weeks. But there is no “normal” anymore, as it is changing weekly. But seriously, if things went as normal, then we would say 25 weeks. It’s possible that they may pull yours for production in as little as 10 weeks! Tandem TX2 production is at… well, “its out there”.
Maybe they are the Icarus of this tale, and Rodchenkov merely Daedalus, the man who built the wings of wax, sure to inevitably burn in the heat of the sun.Our current estimated lead time for our sport production line is 15 weeks, depending on fabric availability. Then it could be Rodchenkov, although he personally never seems to have achieved the fame of the athletes whom he helped cheat. My one question though is who is the Icarus of this tale? At first, it seems like it’s Fogel, who tries to use the same drugs that cycling legend Lance Armstrong did but he crashes to the Earth. There’s also a palpable sense of empathy in Fogel’s filmmaking-he clearly became friends with Grigory, and he relays his love for the man through his direction and construction of the piece without over-idolizing a man who is, after all, admitting to destroying competitive balance on a world stage. He could have stayed over-attached to his own story, but he smartly realizes that he’s stumbled on a far-more-interesting one.
Icarus meaning how to#
There’s a skill to documentarians that know how to get out of the way, and that’s arguably what Fogel does best here. Will Rodchenkov survive long enough to blow his whistle loud enough for the world to hear it? When one of Rodchenkov’s colleagues dies under suspicious circumstances, “Icarus” takes on qualities of a thriller. Rodchenkov honestly fears for his life as more and more details of the Russian conspiracy are recorded not just by the film but by attorneys, the IOC, and even the New York Times. He clearly realized that a film that started as the story of a cyclist interested in doping in his favorite sport became something much greater. Fogel wisely steps out of the spotlight and often allows Rodchenkov to tell his stories with minimal interference. Yes, it’s another story of Russian conspiracies and urine, although maybe not the one you heard.Īs “Icarus” gets deeper into Rodchenkov’s whistleblowing, it becomes less Spurlock and more Poitras. And Rodchenkov claims this systemic cheating was overseen and ordered from the very top, Vladimir Putin.
Rodchenkov becomes an international whistleblower, revealing that he helped design and implement a system that not only gave the Russian Olympians a drug-fueled advantage but then worked to hide the regimen from WADA and the IOC. It turns out that Russia, under Rodchenkov’s watch, wasn’t so much anti-doping as anti-getting-caught-doping. He regularly quotes George Orwell, forms a playful friendship with Fogel, and even comes to visit.Īnd then “Icarus” takes a turn that you may have read about in the papers. Icarus, the mythological figure famous for flying too close to the sun, has a couple of negatives: his rash reputation, and those 'icky' nicknames. Rodchenkov is a documentarian’s dream, the kind of larger-than-life character that typically exists only in Hollywood. Icarus Origin and Meaning The name Icarus is boy's name of Greek origin. Grigory Rodchenkov, the head of the Russian anti-doping program and an important figure in athletics in that country. To guide him, Fogel is put in touch with Dr. The first half-hour of “Icarus” centers on Fogel trying to increase his stamina and cycling ability through drugs, and trying to pass tests designed to stop such things at the same time. Fogel begins a drug routine, injecting PEDs, testosterone, and who knows what else into his thighs and ass. “Icarus” starts as a first-person investigation of doping in sports-a sort of “Super Dope Me” if you will-in which director Bryan Fogel, an amateur cyclist, tries to game the system in the same way that Lance Armstrong did for years.
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